The Seated Scribe is one of the most lifelike objects to survive from ancient Egypt. He sits cross-legged on the ground with a papyrus roll unrolled across his lap, a reed pen in his right hand and a palette beside him, ready to write. His body is soft and slightly paunchy, his shoulders are rounded, and his eyes - made of rock crystal set in copper rims - follow the viewer around the room.
The statue is made of painted limestone, not the hard stone used for royal sculpture, and it was found in 1850 by Auguste Mariette at Saqqara, near the tomb of a high official. The scribe’s identity is unknown: the inscription that would have named him is lost. He was probably a senior administrator of the late Fourth or early Fifth Dynasty, and the statue was placed in his tomb so that he could continue to serve in the afterlife.
What makes the figure remarkable is its refusal of idealisation. Egyptian sculpture normally presents the body as a permanent, timeless form; the scribe is shown with a belly, a double chin and a slightly weary expression. He is one of the earliest portraits in world art in which a specific individual seems to be looking back at us.