Psyche Revived by Cupid’s Kiss by Antonio Canova

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SculptureNeoclassicism

Psyche Revived by Cupid’s Kiss

Antonio Canova
Date
1787-1793
Medium
Marble
Dimensions
155 x 168 cm (61 x 66 in)
Period
Neoclassicism
Type
Sculpture
Location in the Louvre
Denon Wing · Ground Floor · Italian Sculpture, Room 403
Inventory number
MR 1777
About the work

Psyche Revived by Cupid’s Kiss

Canova’s Psyche Revived by Cupid’s Kiss shows the moment in Apuleius’s Golden Ass when Cupid finds Psyche unconscious after opening the forbidden jar of Proserpina’s beauty, and wakes her with a kiss. Canova carved the group twice: the first version, bought by Joachim Murat in 1800 and now in the Louvre, and a second version for Prince Nikolai Yusupov, now in the Hermitage.

The composition is built as a spiral. Cupid kneels and lifts Psyche’s head with one hand while supporting her body with the other; Psyche’s arms rise to frame his head, and her wings and his interlock in a shape that turns as you walk around the group. Canova polished the marble to a soft, almost flesh-like sheen, and he left the surface of the base rough so that the figures seem to float above it. The butterfly on Psyche’s head is a pun on her name, which in Greek means both "soul" and "butterfly".

The work was an immediate sensation. It was the first modern sculpture to be treated as a collectible masterpiece, and it established Canova as the most celebrated sculptor in Europe. The Louvre acquired it in 1824, and it is displayed on a rotating base so that visitors can see it from every angle.

The artist

Antonio Canova (1757-1822) was the greatest sculptor of the Neoclassical age. Born near Treviso, he worked in Venice and then Rome, where he studied antique sculpture and developed a style that combined classical purity with a new tenderness. He carved tombs for popes, a colossal Napoleon, and the celebrated Paolina Borghese as Venus Victrix, and he was made a marquis by the Pope.

Historical context

Canova’s group was made in the years when Napoleon’s looting of Italian collections had made Rome a centre of debate about the ownership of classical art. Its blend of eroticism and ideal form answered a European appetite for a modern sculpture that could stand beside the antique. Its purchase by the Louvre in 1824 was part of the museum’s effort to build a modern collection to match its old masters.

Where to find it

Denon Wing · Ground Floor · Italian Sculpture, Room 403

The Louvre is divided into three wings — Denon, Sully and Richelieu — reached from the hall beneath the glass pyramid.